These inks are wonderful. Lots of pigment and easy easy easy to use. I've tried stamping with them, painting fabric with them, monoprinting, and silk screening on both paper and fabric.
One comment on an earlier post of mine regarding silkscreening asked what I was using for medium to allow use of the inks on a silk screen, and to answer that.....
I laid out as much Liquitex Iridescent Fluid Medium as I thought it would take to scrape across the silk screen itself. To that I stirred in drops of the Liquitex Inks until the color was intense enough for my liking. I stirred it really well so that it was completely mixed. And that's it! The only thing of note here is that the iridescent medium takes more attention to wash out of the silkscreen than regular medium. If not cleaned well, your silkscreen would not last the predicted 100+ prints! So as always, the price to pay amidst all this exciting play is careful clean up!
With a spoon I laid out the inked medium at the top of the silkscreen and pulled it with the soft edged scraper to the bottom. This was the result.
I pressed it when it was dry, to set the colors altho the inks supposedly don't need that, but having added the medium I thought I'd ensure permanence.
Then I decided to cut the tree up and displace it in a wall hanging in the required 12 x 12 size. The results above are what happened. The blue fabrics are the ones used in an indigo dye workshop I took with my girlfriend (where I managed to stab her in the elbow with my scissors but that's another story)! The reason you see my last name on one strip is that I couldn't use it if I cut off the name. I love how some of the shading in the dye process fell into the design.
The orange piece on the right side is a piece of hand painted and sponged fabric that I did when playing around, and the border is a piece of hand painted fabric that was cotton, but had a textured weave and I've used the bumpy strips in it, which collected the paint in a different way, to represent bark around the hanging.
The quilting of the Garry Oak leaves is done with King Tut Thread from Superior Threads http://www..com/shop/category/king-tut/description/ The quilting of the tree is done with blue Sulky Sliver metallic.